![]() ![]() Even when strange blotched images phase over the television and freakish winds ride through the basement, the dogmatically logical Teppei has an excuse to explain the events, and the sins of the past, into nothingness.Īs strange occurrences transpire more often in the oddly sequestered basement, which can be reached only by elevator, a crimson tide of paranoia washes through the sun speckled day and the couple’s seeming innocence. When the family bird dies and Tamao (the couple’s young daughter) claims that he still visits her and delivers repeatedly dire messages, they put it down to the imagination of childhood and the fear of change. The radiant sunshine is falling on tombstones, the spring air subtly polluted with the endless billowing smoke of the crematorium, the building residency unusually low, the temple a somber monster watching over it all. There is just one sour note in this symphony of glorious moving on: their half price all mod-con new home has a view over a graveyard, a crematorium, and an ancient Buddhist temple. ![]() The sun is shining, the birds are singing, and this is a new start. ![]() Teppei (husband) and Misao (wife) are a seemingly happy couple, married with a lovely daughter and new home owners at the Central Plaza Mansion the grimness of their past, shared history and the perhaps literal ghost of Teppei’s previous wife seem far away on the beautiful spring day when they move into their new condo. Rating: Horror in the Sunshine: Can You Really Start Over? ![]()
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